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From the Reading Chair

Developmental editor Laurel Cohn shares insights, tips and advice on writing and editing your work, and discusses how to navigate the sometimes tricky terrain of the development phase, in order to reach your publishing goals

Pull up a seat and settle in

Over the last three decades and more I’ve worked with hundreds of writers, many of whom have gone on to be successfully published. Not one of them has ever said, ‘Oh, that was easier than I thought it would be!’

I don’t say this to put you off, but to be real with you about the challenges and the joys that are part of what it means to be a writer.

From the Reading Chair offers my perspective on some of the issues I see writers wrestle with both on the page, and off the page.

Laurel

All Articles

'It was EXTREMELY difficult for me to take in the suggested cuts and edits. At times I wasn't sure I could sustain the mental or physical energy needed to see it through...
What are the different types of editing, and when do you need them?
You may be an excellent facilitator, good with blogs, and effective with one-on-one clients – but writing a book is another whole way of reaching an audience.
The content of your self-help book will likely contain a range of ingredients, a mix of material, so it's important to understand the role of each ingredient.
The self-help genre, also known as personal development, is as popular as ever with readers, and also with writers. The more you understand about the genre, the better.
A writing mentor can help you understand your work and your practice in new ways, and help you navigate the often tricky emotional terrain of writing a book.
One of the keys to success for a writer is an ability to pay attention to the macro as well as the micro, to the mundane as well as the sublime.
One of the greatest challenges of working on a long format writing project is staying on course. Can deadlines help you get there?
Theme. Plotlines. Characters. Backstory. Point of view. The artistry in developing work for publication lies in understanding how these elements work together to create your story design.
The central event is the one event the book cannot do without; it is central to and creates the story. Without it, the book collapses like a house of cards.
To develop your work and create a strong story structure, it is crucial to understand the major dramatic question that lies at the heart of your story.
Where does the real story lie? What is the essence of your tale? What are you really trying to say? What is it about?
AI might be able to draft a synopsis, but can it satisfy the creative urge?
When you are crafting your ending, think about whether you have said what you wanted to say. Are there any loose ends? Are there story questions posed that aren’t answered?
The key to choosing point of view is understanding the relationship you want the reader to have with the characters and events of the story.
Varying point of view distance allows you to control the relationship between the reader and the story to evoke specific responses.
When you choose multiple points of view, be mindful of the types of relationships you are building between the reader and the characters, and their purpose.
Listening to the written word helps us understand the effects we create through word choices. Read your own work aloud. Edit with your ears. You'll ‘hear’ things that you may not ‘see’ on the page.
The function and roles of subplots are important principles to understand, but there is no golden rule. That’s what makes the creative endeavour of writing fiction so alluring and at the same time so terrifying.
If scenes are the building blocks of story, summary is the mortar that holds the scenes together, and occasionally the keystone piece that supports the structure.
A profile of writer and writing teacher Lisa Clifford
It may be shambolic, confused, all over the place. It may be a train wreck. That's okay. It’s just the first draft. And first drafts are messy.
Writers often moan and groan about writing a synopsis. But there's no escape; you're going to have to do it.
Recently I’ve been prompted to consider why a fat, pink heart may say more to us than the word ‘love’ or ‘xx’, and what this tells us about writing good dialogue.
The 'overnight' success of debut books is usually built on a development process spanning many, many years.
Characters' names influence the reading experience in different ways. The choices you make are important.
Ever been stuck at a party with a guy who wants to tell you all about himself? Too much backstory! The same is true with characters on the page.
Structural issues are common in both fiction and narrative non-fiction book-length works. Understanding story structure is key.
Does advice to trim and tighten your writing mean shorter sentence lengths?
The books we tend to find most satisfying are the ones that evoke readers' trust by allowing them imaginative space to enter the story.
Critical reading is an important skill for writers to develop. Don't underestimate the value of reading the works of others.
It takes a deep commitment to write a memoir manuscript for publication. Are you prepared to take the plunge?
‘Editing is part of the creative process; don’t see it as separate from the writing process – you owe it to your work to deepen it.’
Successful writers understand that writing is mostly about rewriting. You can't avoid revising your manuscript.
How does an editor help a writer with their manuscript? What do they do?
The three main challenges and hurdles facing emerging writers.
The right sort of feedback, from the right reader, at the right time will, without a doubt, make you a better writer.
We may not have control over the feedback we receive, but we do have control over the way we respond to it and what we do next – how we manage it.
Knowing when your work is ready to be launched into the wider world can be a difficult thing to pin down.
Sometimes writers' energy for a project becomes depleted. Just as batteries run down and need recharging over time, so do writers.
‘Resilient writers think of success and rejection as a package deal: If we want to accept writing success when it comes, we must be willing to accept writing defeat when it happens.'
How do you survive the development phase of a manuscript? How do you build resilience as a writer?
To be a successful self-publisher you have to be a 'Jack of all trades'.
It can be confronting to let go of your precious baby and send your manuscript into the wider world of professional readers: assessors, editors, agents, publishers.
Thinking of self-publishing? Make sure you understand what's involved.
Beginnings are crucial. If the beginning of a story is weak chances are no one will ever get to the middle, let alone the end.
Narrative momentum is that urge that makes you want to keep turning the pages.
Trimming and tightening text is a little like pruning in the garden to increase the quality of flowering and fruiting, to remove deadwood, and to improve the overall structure and shape.
How can we improve our writing by thinking about the reader's experience?

Resources for Writers

Discover more about the craft of writing and the writing life with these recommended books and podcasts.
Links to organisations for writers

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