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A professional guiding hand

Laurel Cohn and her team provide active, constructive engagement with writers from around the world and the stories they want to tell.

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About us

We work with book-length manuscripts and short-form writing (essays, short stories, novellas). We are experienced with fiction (e.g. literary, popular, crime, thriller), narrative non-fiction (e.g. memoir, travel, history), general non-fiction (e.g. personal development, reference, how-to books) and children’s books (picture books, middle grade and YA). We are happy to answer any questions you may have about the genre of your manuscript.

Our writers have gone on to be published in Australia, US, Canada and South Africa, including by...

4th Estate
Allen & Unwin
Australian Scholarly Publishing
Bantam

Black Inc
Brolga Publishing
Central Avenue Publishing (Canada)
Cilento Publishing

HarperCollins
New World Library (US)
NewSouth Publishing
Penguin Random House

Penguin (South Africa)
Rockpool Publishing
Scribe
Transit Lounge Publishing

Dr Laurel Cohn

Laurel is passionate about communication and the power of words to engage, inspire and challenge.

Since the late 1980s Laurel has been helping writers of all types prepare their work for publication. With a well-honed ability to analyse and critique texts, she gets a buzz out of helping writers understand how they can lift their work to the next level of development.

Laurel’s approach to giving feedback is informed by an understanding of the sometimes tricky emotional terrain of the development process, and the importance of honest, clear and practical guidance.

Laurel is a regular workshop presenter for peak writing organisations in Australia, and also teaches in Europe. She has a PhD in literary and cultural studies.

Laurel Cohn headshot

Madeline Oliver

Madeline has been writing and editing for many years. She studied social sciences at UNSW and book editing at Macleay College. In 2015 Random House published The Painted Sky, fiction co-written by Madeline with four members of her book club. ‘Working in a group made me aware of the importance of structure,’ she says, and she focuses on story structure in helping others develop their manuscripts. Madeline finds that collaboration enriches her own work.

She has presented writing workshops at festivals, at writers’ centres and for Varuna, The Writers’ House, which also awarded her a fellowship in 2016. Ghostwriting, mentoring and writing for television drama are other collaborations she enjoys. Madeline is inspired by the progress writers make from draft to draft and finds the processes connected with writing deeply satisfying.

Dr Maria Simms

Maria is an editor and author who has been assessing manuscripts for more than two decades. Theatre sketches were a springboard into a career of writing long and short fiction, non-fiction, articles, book reviews, academic, educational and business texts, and advertising material. She has received numerous awards for her writing and academic performance, and been a university lecturer in creative and academic writing.

Her historical crime novel, The Dead House (New Holland 2008) was awarded New Holland Publishing’s prize for genre fiction. Jack’s War, an RAAF war diary/biography was published in 2013.Her work has also been published and recorded by the ABC. Along the way Maria acquired PhD and Masters degrees in creative writing and a BA (Hons 1) degree in literature from the University of Sydney.

Maria runs workshops in writing fiction and non-fiction. It gives her great satisfaction to work with writers of all genres, offering support and guidance from initial concept to final draft.

Barnaby Smith

Barnaby is an experienced journalist, reviewer and editor working across multiple mediums covering a variety of topics with special knowledge of music, literature and the arts. He has edited numerous books, academic works, reports and more, and is the editor of Northerly, the official publication of Byron Writers Festival. As well as a freelance writing career, he is a sub-editor for one of Australia’s most popular cultural publications. As a member of Laurel Cohn’s team he specialises in copyediting.

Helen Williams

Helen has many years’ experience in editing and book production, both freelance and in-house. At The Federation Press and at Aboriginal Studies Press she worked across a wide range of non-fiction disciplines in the humanities and social sciences. She edited To My Delight, the autobiography of the Aboriginal stockman Bill Cohen, which won the Christina Stead Award from the Fellowship of Australian Writers.

Helen has also been a reader, editor and advisor for numerous authors of crime fiction, literary fiction and memoir, and has written educational resources, and non-fiction for government agencies. Helen has worked in Australia, the United Kingdom, China and Argentina. What she enjoys most is exploring each author’s unique voice and assisting them to bring their work into full form, clarity and power. Helen is accredited with the Institute of Professional Editors.

What others say

Craig Semple, one of Laurel Cohn's clients

‘I wanted to say a big thank you for your help and guidance in helping me get my work to a point where it got the attention of a publisher. I signed a two book contract and my first book has now been released. Madeline taught me so much with her objective, critical advice and also her encouragement in helping me believe my work had merit.’

Craig Semple
The Cop Who Fell to Earth
(Echo Publishing)
www.echopublishing.com.au
Manuscript assessment
Mark Eliott, one of Laurel Cohn's clients

‘I wrote my book sitting between glassblowing sessions in a café, with my laptop among strangers. As I wondered through the unfolding terrain of the story, I would sometimes see my editor Helen Williams finding her own way through the landscape until our paths intersected and we would tell each other what we’d seen along the way. I looked forward to the phone calls and emails which yielded fresh insights. As a first-time novelist I often needed someone to hold my hand and Laurel Cohn chose well in matching us up.’

Mark Eliott
Essence of Cloud
(Mark Eliott Books)
www.markeliottglass.com
Manuscript assessment and copyediting
How I rescued my Brain by David Roland

‘Laurel helped me to polish the first three chapters of my manuscript when this was about all I had written of my memoir. I used these chapters, together with a chapter outline for the rest of the book, to secure a publishing contract. I have found that every bit of expertise along the way helps, and Laurel’s input made a difference to my proposal.’

David Roland
How I Rescued My Brain
(Scribe)
davidroland.com.au
Manuscript assessment

‘Madeline’s comments are really comprehensive and so valuable, I really appreciate all the work and thought that has gone into the assessment, and the technical details she was able to convey that will teach me such a lot. Everything has to sink in and there will be much to do, but I’m so glad I took this step before taking the manuscript to any agents or publishers. It’s exactly the kind of feedback that I needed.’

Aislinn Batstone
Manuscript assessment
Cover of The Writer's Guide by Irina Dunn

‘Laurel Cohn can turn a rough diamond of a manuscript into a polished gem of a book. She is expert in structural editing, copy editing and proofreading, and offers insights into your work that will help you realize your publishing goal.’

Irina Dunn
The Writer’s Guide
(Allen & Unwin)
irinadunn.com.au
Structural editing

‘I’d like to express my appreciation for the superb quality of work provided by Maria Simms in assessing my manuscript, Mama’s Courage. Her gentle and constructive guidance provided much relief and encouragement in preparation for the next stage of manuscript development. When I finally had an opportunity to read the report and review the mark-ups, my motivation soared. Maria was a ghost tutor in the manuscript assessment process. She has helped hone my writing skills and bring this book to life. Thank you!’

Lisa Matousek
Manuscript assessment

‘Got the report for my manuscript and am very impressed with how thorough and insightful Madeleine is. It was exactly the ‘fresh eyes’ I needed and gives me focus and direction (for this and other writing projects!). Thanks so much – will definitely recommend your ed consults to my writerly friends!’

Louise Ralph
Manuscript assessment
Eighty-Seven Castle Lane by Jimmy Webb

‘Reaching out to Laurel to get my manuscript appraised was one of the best writing decisions I’ve made. The assessment I received was thorough and timely, and I was struck by how the assessor, Helen, engaged so seriously with my work. I could certainly feel the effort and reflection she’d put into appraising what I had written. She was sincere with her feedback and generous with her time, and deftly pointed out the strengths and the weaknesses in what I had written. Most importantly though, she instilled in me – however accidentally – a confidence to keep writing. What more could you ask for from a manuscript appraisal?’

Jimmy R. Webb
Eighty-Seven Castle Lane
jimmyrwebb.com
Manuscript assessment

‘Thank you so much for your insightful editing of my manuscript. I found Helen’s comments spot on. They resonated with areas I had felt disquiet about. The problems identified are glaring with help from your precise feedback. It was so helpful having both the positives and negatives pointed out. As a newbie writer, discovering the strengths was equally enlightening. I couldn’t be happier with this edit, and will be looking to your agency for future support.’

Shannon Anima
Manuscript assessment

‘I am very happy with the work that Maria Simms has done on my manuscript. The feedback has helped the book generally read better and has sharpened the message. Truly valuable! Please pass on my deep appreciation for the work she completed.’

Warren Mayocchi
Manuscript assessment
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Laurel Cohn and her team offer comprehensive editing and manuscript development services, as well as mentoring and consultations to help you realise your writing goal.

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‘I would like to acknowledge the Traditional Owners of the land on which I live and work, the Midjungbal of the Bundjalung, and pay my respects to Elders past and present. For thousands of years the First Peoples of this Country have understood the power of story to shape and reshape our understanding of ourselves and our world, a continuing practice from which we can all draw inspiration.’ Laurel Cohn