Editing

We offer structural editing (deep analysis of the big picture), copyediting (finessing at the line level) and proofreading (the final tidy up).

Illustration of pens

Shaping your work

Shaping your work to best deliver your intent takes meticulous care.

There are different levels and types of editing appropriate for different stages of manuscript development. We work with the topography of a story as well as the mechanics of the vehicle that is carrying the reader through the text. Editing ensures your reader will reach the intended destination.

Structural editing

Structural editing provides a deep analysis of the big picture issues, with suggestions and proposed changes to address structural problems. With fiction manuscripts this may relate to story design, character arcs, point of view, and a range of other elements at play that create the structure of the work. With non-fiction works we consider the way the central thesis/argument is presented, built upon and concluded.

A person wearing a sweater writing with a pen

Copyediting

This is the most meticulous form of editing, looking at the text at a line level, and should only be carried out after structural issues have been addressed. As well as checking for grammar, punctuation and spelling, copyediting involves checking for flow and readability, consistency of style, textual logic, clarity and accuracy. The aim is to ensure your voice is working as well as it can to communicate your intent.

Red pen corrections on a written document

Proofreading

Proofreading involves checking text that is ready for publication – picking up typographical errors and errors that have crept in through the copyediting process as well as errors of layout and formatting. In addition, a proofreader will check contents pages, preliminary pages and indexes, and front and back covers (where appropriate).

A professional proofreader not only has an eye for detail, but is familiar with publishing conventions and requirements, as well as design and layout issues.

Reading glasses sitting on a document

Editing FAQs

The main role an editor plays is to guide the writer to realise on the page the full potential of the story they are compelled to tell. There are different levels of editing: structural editing, copyediting and proofreading. Some editors, like Laurel Cohn and her team, also assess manuscripts and mentor writers.

See: Manuscript Assessment, Mentoring

The best way to give you editorial feedback in the first instance is to provide a manuscript assessment. The editorial report that you will receive from an assessment will help you approach the next draft and decide whether you require editing services.

See: Manuscript Assessment

Yes. A submission usually comprises a synopsis and the first three chapters. Non-fiction writers will need to also include a chapter outline. We can give you valuable feedback on how successful your submission may be, and why. This is akin to an assessment of a partial draft. Fees for manuscript assessment are based on word count. We can also copyedit a submission package to make sure it is as error free as possible. Please get in touch for further information and fees.

See: Manuscript Assessment

Costs vary depending on the length of the manuscript, the type of editing (structural, copyediting or proofreading) and the level of intervention required. Please get in touch for a quote. 

We work with book-length manuscripts and short-form writing (essays, short stories, novellas). We are experienced with fiction (literary, popular, genre fiction), narrative non-fiction (e.g. memoir, travel, history, personal essay), general non-fiction (e.g. personal development, reference, health) and children’s books (picture books, middle grade and YA). Get in touch if you have any questions about the genre of your manuscript.

Many writers we have worked with have been successfully published, but we cannot guarantee that your work will be picked up by an agent or publisher. While we can offer you the guidance and support to help you produce a high standard manuscript, much depends on your commitment, patience and determination, as well as the vagaries of the market.

See: Manuscript Assessment, Mentoring

Most copyediting and proofreading is done with a digital version using Track Changes in Word and inserting comments, but can be done on a print out. Most structural editing is done on a print out to allow for more dynamic annotations. Please get in touch to discuss the options.

For both digital and printed manuscripts, please use the following formatting:

  • line spacing: 1.5–2
  • font: Times New Roman 12 pt
  • margins: minimum 3 cm all round (Word default margins are fine)
  • paragraphing: indent first line of paragraphs except the first paragraph of a new chapter or section (consult published novel for reference). Only put spaces between paragraphs where you wish to indicate a section break. Word often has a default setting of space after a paragraph. Please turn this to 0.
  • text should be range left, not justified, which means right edge is ‘ragged’
  • page numbers: consecutive from beginning to end
  • title page to include name and contact details, including phone and postal address

For printed manuscripts only:

  • unbound, with a large clip or rubber band around the pages
  • include self-addressed stamped envelope for return of the manuscript. A prepaid parcel post satchel is often the best option (includes tracking number).
  • We encourage you to print the manuscript double-sided to save paper and reduce weight.

If you have any questions about formatting your work, please get in touch.

See: Manuscript Assessment, Mentoring

Your work is considered automatically protected by copyright under Australian law. There is no registration of copyright in Australia or in most other countries (the U.S. is an exception). Through technological protection measures and contracts, you can limit other people’s ability to use or access your copyright material. Keep in mind also that it is extremely rare for writers to have their ideas stolen by others (and you can’t copyright ideas, only text). We do not as a matter of course use non-disclosure agreements as we treat each manuscript as confidential. However, if you wish to send us a non-disclosure agreement, we are happy to have a look at it. Please feel free to get in touch if you have any concerns about confidentiality.

See: Manuscript Assessment, Mentoring

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